Gold stars to all for this taut psychological thriller based on Zoe Heller's novel that that gets more insidiously twisted as it unfolds. Oscar-nominated for her chilling performance, Dame Judi Dench gives a master class as schoolteacher Barbara Covett, a frumpy, friendless, and flinty spinster who lives with her cat. A formidable presence, Barbara is standoffish with colleagues and not one for students to trifle with (not that they'd dare). Cate Blanchett, also an Oscar nominee and winner of several critics society awards for her impassioned performance, costars as Sheba Hart, the new, overwhelmed art teacher who first becomes enthrall to Barbara after she steps in to help Sheba discipline unruly students. Barbara cultivates a friendship, and insinuates herself into Sheba's chaotic life, which includes her older husband (Bill Nighy), teenage daughter, and a son with Down's syndrome. Then, Barbara catches the reckless Sheba in a compromising position with a 15-year-old student (Andrew Simpson). Seizing her opportunity, the calculating Barbara does not turn her in. Rather, she wants to "help" her. "She's the one I've been waiting for," she writes in the journals she meticulously keeps, and which provide, in voiceover, her corrosive commentary. This all sounds very Fatal Attraction, but no boiling rabbits, please; we're British. Philip Glass's Oscar-nominated score accentuates the growing menace. Though there is little in these characters to admire, (one would think GLAAD would have something to say about the predatory turn Barbara's character takes), Notes on a Scandal is a compelling tour-de-force for its Grade-A cast. --Donald Liebenson
Notes on a ScandalExtras
Cate Blanchett and Judi Dench on their characters in the film
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What Was She Thinking? Notes on a Scandal: A Novel
"Why shouldn't you be bad?" Notes on a Scandal is a gripping, captivating story of two lonely women and the ragged way they fall in and out of love. Sheba, a young art teacher, who falls into a torrid affair with a 15-year-old student, ostensibly because of the disappointment and difficulties in her family life. Then Barbara, an older history teacher, who takes Sheba under her wing--or so she thinks--and is the first to know her secret. The way this story unravels is enthralling and hard to watch, but at the same time I couldn't take my eyes away from the screen. I found myself sympathizing with Sheba, though I knew her actions were wrong, because I could understand the ache of loneliness one must feel when you begin to wonder if you've made the wrong choices in your life. Similarly, though the seemingly benevolent Barbara eventually turns out to have a cruel streak, I found myself empathizing for her lack of companionship and the fact that she seemed so completely alone. Notes on a Scandal is a story about loneliness, the banality of cruelty, and the harsh reality of living and accepting the choices you've made. It's an excellent film and kept me entertained from start to finish.
The Top of Their Game For all it is an entry into the "girlfriend/ temp/ babysitter/ boyfriend/ roommate/ etc. from hell" films of the late 80s and early 90s (such as FATAL ATTRACTION, THE TEMP, SINGLE WHITE FEMALE, FEAR), NOTES ON A SCANDAL is still a terrific and excitingly paced melodrama showing two splendid actresses--Judi Dench and Cate Blanchett--at their absolute best. Dench is a fire-breathing older woman teaching history in a London public school who has a hidden history of stalking and erotomania; Blanchett is the new art teacher, unable to handle a classroom, escaping from her incredible family demands (incluiding a son with Down's syndrome) who befriends Dench and starts having an affair with a manipulative 15 year-old student. When Dench develops an obsession with Blanchett, and discovers the affair, the sparks really fly, and the movie builds at an even more breathtaking pace. There's not much point to the film (other than that all single people in the film seem determine to wreck Blanchett's marriage), but who cares when you can see two actresses as fine as Dench and Blanchett work so splendidly. Dench has a role here perfectly within her range as the rebarbarative and covetous Barbara Covett; Blanchett (as always) seems like you've never seen her before, this time as Bathsheba Hart, Covett's beautiful prey. The overdramatic score by Philip Glass is less obstrusive than it might have been given the tremendous scale of these two actresses' performances.Chilling This grim drama of sexual manipulation is a story where almost everyone is a victim. Judi Dench (Barbara) plays the chilling role of the lonely spinster teacher who befriends young women with the goal of possessing them. Cate Blanchett (Sheba) is a dreamy, artistic young mother, who, after years of caring for a Down's Syndrome son, goes back to work as an art teacher at a rough London school. Barbara trains her sights on Sheba as she struggles with the chaos in the school and helps her out, but then discovers a secret to hold over her.
Judi Dench manages to portray a woman who is despicable and pitiable at the same time, while Blanchett draws on our sympathy despite unforgivable transgressions. The themes are very disturbing, and there's no happy ending--Barbara moves on while the other characters pick up the pieces. Blanchett's young art student may be the only one to emerge unscathed--but I won't say more. This film is most definitely for adults only, and some will be offended by the subject matter. But Dench gives a magnificent performance, as always.