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Avg. Rating: 4.17
Spider-man spins a complex web of humanity in characters
An excursion to Columbia University science lab transforms the bespectacled Peter Parker (Tobey Maguire) with miraculous vision, sculpted body after a genetically-altered spider bits him. He possesses agility in leaping from skyscrapers and can spin webs from his wrist. Henceforth he assumes the identity Spider-man to combat evil manifested in the form of the Green Goblin (Willem Dafoe), a Species-look-alike perpetrator that terrrorizes the city with a glider that drops bombs. Spider-Man embodies the heroics created by Stan Lee and Steve Ditko who had graced the popular Marvel Comics to become an comic icon as a crime-buster - and now the film further increases the fanaticism. It is a US 140 million blockbuster and gaudy with sleek costumes and galvanizing stunts. It is digitally-enhanced F/X to capture panoramic swings in its most realistic and The Times Square action-sequence is one of the most dazzling in cinematic history. Yet the superhero adventure fails to surprise because of its conventional storyline of good-vs-evil. The self-discovery and mutation renders so much punch that the second-half falls relatively lack-lustre. Fortunately Spider-Man spins a complex web of humanity and empathy for the characters - and Tobey Maguire as the lead is the emotional core who captivates with his vulnerability in handling his growth traumas, doubts and fears. No less sterling is Willem Dafoe who is all hysterics and maniacal in his split personality inherited from the aftermath of a blundered experiment. Kirsten Dunst as his love-interest Mary Jane, James Franco as his buddy and even his uncle Ben played by Cliff Robertson show surprising dimensions. Spider-Man is thus an evocative tale of a hero struggling with his adolescence, betrayal and murder. And Sam Raimi displays the same sensitivity here with his eariler works like Darkman with his flawed avenger. He directs it with eye-popping visuals like Army of Darkness and the comic hero resonates in its true-self. Its brooding hero is what makes Spider-Man a nifty web - and Maguire has definitely triumphed the cynics with his soulful spin.
Spinning A Worthy Web
Spider-Man is an entertaining film that is a great summertime, popcorn movie. The film explores the origins of the transformation of Peter Parker from nerdy high school student to the web slinging superhero Spider-Man. Tobey Maguire is quite good in the title role. He plays the character with the right amount of torment as an outcast who has been put down all his life, but injects pride, joy and happiness into the Peter from his newly bestowed powers. Kirtsen Dunst is Peter's next door neighbor, Mary Jane Watson. Ms. Dunst is not given much to work worth in the character, she is the requisite love interest, damsel in distress but she is appealing in the role. Willem Dafoe is plays the Green Goblin who is the villain in the film. The Goblin's alter ego is Norman Osborne who is the rich father of Harry (James Franco), Peter's best friend and roommate. Mr. Dafoe is perfectly cast as the Goblin and he handles the character's schizophrenic outbursts with creepy aplomb. Mr. Franco plays Harry sullenly and he appears as if he is moping through the picture. J.K. Simmons plays Daily Bugle editor J. Jonah Jameson as a pushy, demanding blowhard who listens only to himself with hilarious results. People have criticized the fighting and action scenes, but they are really no better or worse than most current action films. There are some Matrix like sequences with the slow motion, but these scenes actually help show Spider-Man's spider senses that allow him to anticipate and react quickly to danger. The film was a box office smash and we should expect to see numerous sequels that will hopefully be as appealing as the first installment.
ETMR - Spiderman
1. Humanity: What events in the film drove Peter Parker to adopting his vigilante attitude toward crime?2. Implications: How is Spiderman's understanding of "with great power comes great responsibility" an example of contemporary American thought? Think specifically about the nature of evil and the propensity toward intense individual classification when one's existence becomes threatened. 3. Evolution: Spiderman was a hero born out of the 60s, springing from both the dangers of genetic manipulation and the problems of substance abuse (in the form of Oscorp Chemicals). Raimi makes little mention of the chemical abuse in the story, and paints it in a much simpler picture of the probable evil in man's soul and the strange world of pseudoscience. Therefore, it is obvious that in many ways, the film departs from its traditional conditioning while remaining loyal to the original personalities of the characters. In which ways is Spiderman the hero shown to be a creation of the contemporary age, versus a creation of the 60s, in the film? 4. Realism: America has a long history, not only in comics but in legendary history, of people who take the law into their own hands. If a being like Spiderman existed, could he survive in our real world, or is he only a dream? 5. Stageplay: Spiderman is classicly a cynic, an individual thinker, an avid contemporarian (someone "in" the times), a man of passions (versus someone who could care less), an irreligious jokester and a man who is not sure of his destiny, but lives to succeed. Do you feel Maguire fulfills this role? Some critics say he is too much of a "boy" to fill Spiderman's shoes, while others claim it is his boyishness that charms us into belief. What do you think?
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