Enthusiastic Summary of Extreme Asian Cinema One of the most vital and exciting developments in the last decade has been the trans-national dissemination of horror films from the east. Often made with one eye firmly on the international market, these films travel very well, without totally foregoing their own cultural specificity. Hideo Nakata's "Ring" has become the totemic film from which all other J-horror has been inspired and although I think western audiences have finally tired of the creepy kids and the long haired ghosts, these films remain persistently innovative and challenging. Galloway's very readable and entertaining book brings together a number of films from Japan, South Korea, Hong Kong and Thailand, that could be loosely categorised as Extreme Asia. It must be noted that Galloway's book is an entirely subjective summary of films which have left an impression on him. It is in no means academic, which lends itself to a wider audience. Therefore Asia Shock is more a device to generate debate and to encourage those with more explorative tastes to seek out material from more exotic climes. In this respect the book succeeds totally. I particularly liked the book because of the number of South Korean films include; films such as "Oldboy," Tale of Two Sisters," and "Sympathy for Mr. Vengeance" are nothing short of masterpieces and deserve too be recognised by a wide audience. This is Mr. Galloway's quest with Asia Shock and I for one certainly hope he succeeds.
Asia Shock is the connoisseur's definitive guide to the classics of this pop-culture genre. Written by multinational traveler and lifelong student of Asian film culture and philosophy Patrick Galloway, Asia Shock: Horror and Dark Cinema from Japan, Korea, Hong Kong, and Thailand is a movie buff's guide to the horror and shock cinema of the far east. Asia Shock is not a comprehensive encyclopedia of all films in the genre, but rather a "reviewer's choice" of top shocking picks, some with in-depth reviews and some with capsule reviews, nearly all with extensive notes on unique cultural paradigms, viewing tips, and genre considerations. Focusing on over 50 critical and fan-favorite gory, chilling, and startling Asian horror movies, Asia Shock is the connoisseur's definitive guide to the classics of this pop-culture genre.Sometimes crosses the line between connoisseur and otaku Overall, as someone who enjoys "dark cinema" from Asia, I found this book very enjoyable, not only to learn about new titles that I may enjoy, but also to explore another person's perspective on films that I have already seen. Galloway definitely displays a genuine passion for the subject matter, as well as a profound knowledge of many aspects of Asian art and cinema. In addition to sitting back and enjoying the movies, he has clearly done a good deal of research on them.
However, I do take issue with the way in which some of the narrative veers towards the festishistic 'exotification' of Asia. Female cinemaphiles in particular will probably be put off by Galloway's repeated transformation into a dirty old Wan Chai cheek-toucher, unprofessionally slavering over the assets of various Asian actresses rather than over their performances.
I was also disappointed by an entry describing a Hong Kong cannibalism flick: Galloway mentions how Western audiences might not find cannibalism in Hong Kong such a stretch to imagine. However, rather than attributing such attitudes to racism and xenophobia, he shrugs it off by rationalizing along the lines of 'the Chinese eat a lot of weird food anyways,' implying that because the Chinese occasionally enjoy snake soup, it's only logical that they would break the universally held taboo against eating human flesh. I found this magnificently ignorant.
If you are a person who hates even the slightest hint of a spoiler, then this book is definitely not for you. Understandably, it's very difficult to write a movie review without revealing some of the plot, and Galloway is often put in the difficult position of writing about a movie that simply cannot be described or explored without tearing the gift wrapping of the film just a little bit. Ultimately, this book is best as a companion piece, and readers may wish to do as I did and skip the entries for the films they haven't yet seen, while revisiting and gaining new perspective on films they have already enjoyed.
