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Good but not great, with a few exceptions: this is a competent and enjoyable anthology. Recommended The history of a haunted stream, a wake for a witch-haunted corpse, a coming of age ritual for a changling child: Gothic! is a collection of ten stories from authors such as Neil Gaiman, Gregory Maguire, and CaitlĂn R. Kiernan. Filled with ghouls, ghosts, and vampires, these stories are quiet, dark, gothic tales which haunt the edges of the horror genre. Most of the stories have missing or undeveloped aspects which make them good but not quite great; there are a few exceptions, both good and bad, but on the whole this is a competent and enjoyable, if unexpectional, collection. There's enough variety in subject and tone to hold the reader's attention, and the stories are united by an indulgent, dark, gothic theme which is a pleasure to read. I recommend it.
Although not traditional gothic literature, the stories in Gothic! are in the same vein: dark, creepy stories, most with fantastical elements, all indulgent pleasures. Unfortunately, it's as if the short story format isn't enough room to develop all of the aspects which make gothic literature a success. Character makes a story accessible, especially in YA lit; some stories, like Velde's "Morgan Roehmar's Boys," feature identifyiable and realistic teen protagonists, but in too many of the stories they're undeveloped or unrealistic. Some feature exaggerated (teen) stereotypes, which make for irritating characters. Plot provides direction, but in too many stories it feels like an afterthought. Sometimes that works well--Gaiman's "Forbidden Brides..." is particularly charming despite its fractured storyline--but often it creates uneven pacing and undirected action. And atmosphere, of course, is key to a gothic novel: the dark and haunted setting, the looming threats, the unexpected evil, which makes a story chilling and delightful. Much of gothic atmosphere depends on suspense, but some authors introduce too late, and so the gothic aspects feel cliché or unbelievable when they finally arrive.
With one or two of these aspects falling by the wayside, the stories are often enjoyable but not exceptional. Yourgrau's "Have No Fear, Crumpot is Here!" is an exception: overdrawn humor and inadequate suspense make it flat, grating, and the worst story in the book. However, most stories fall in the "good but not great" category. Anderson's "Watch and Wake" has a unique setting and creepy magical aspects, but underdeveloped characters; Simner's "Stone Tower" is haunting and mysterious, but predictable--similarly, most of the stories are fun, indulgently creepy reads, but few are memorable. Few, but not none: Velde's "Morgan Roehmar's Boys" is solid if unexpectional, combining a creepy haunting with truly unexpected violence. Best of all is Kiernan's "The Dead and the Moonstruck," which has character, plot, and atmosphere to spare. A tender coming of age story in an unusual fantastical setting, it's intriguing, sympathetic, and my favorite story in the collection.
A standard of "good but not great, with one or two exceptions" makes, all in all, for a successful collection. Gothic! is an enjoyable quiet read, ideal for curling up with under the covers; creepy, frightening, mysterious, and sometimes humorous, the stories are indulgent and enjoyable. Each is unique, most are enjoyable, and gothic literature is a wonderful dark pleasure. I wish there were more standout stories, but it is rare to find a short story collection (especially a themed anthology) that offers constant high quality--and so I am content with as much. For fans of gothic literature or dark fantasy, Gothic! is worth picking up. It's a fast read, but altogether enjoyable, and I recommend it. So-so anthology Just like the title suggests, all contributing authors to this anthology have weaved together gothic tales that range from eerie to humorous to -- unfortunately -- dull. An example of the latter is the very first story, Lungewater by Joan Aiken. The narrator is told a ghost story that ends up entwining with this one, but it is bland at best. Even the twist at the end seems more coincidental than clever.
Luckily, "Morgan Roehmar's Boys" by Vivian Vande Velde reprieves the previous story. It mixes together all the right elements to create an enjoyably spooky tale: a job at a haunted hayride, old serial murders, and, of course, a storm. The suspense steadily builds, making you invested in not only the story, but the main character, Ashley. While some may expect the twist at the end, I found it both shocking and satisfying enough to deem this one of the better stories in the anthology.
"Watch and Wake" by M.T. Anderson is the retelling of a story by Lucius Apuleius. When a young man named Jim stops in a small town during a trip to see his parents, he finds himself watching over the corpse of a woman's husband to keep witches from eating its face. The story feels very grounded and real despite the supernatural premise, the disturbing end sticking with you long after you've finished the story.
Another favorite in the anthology is Neil Gaiman's "Forbidden Brides of the Faceless Slaves in the Nameless House of the Night of Dread Desire." The title might be a mouthful, and it's a tad difficult to get into the story at first, but this clever tale becomes worthy enough for a re-read by the end. A writer finds himself struggling to write real literature instead of the fantasy work he's more drawn to -- except, the more you read, his concept of fantasy doesn't exactly match our own.
"The Dead and the Moonstruck" by Caitlin R. Kiernan was disappointing. It introduces an intriguing fantasy world where Starling Jane, a girl in training to become a changeling, fears she won't pass a crucial test during the Hunger Moon, but the plot meanders a bit, and the ending doesn't feel entirely earned.
"Have No Fear, Crumpot is Here!" by Barry Yourgrau is an amusing tale about Walter, a teenage boy who likes to make up goofy adventure stories about a character named -- you guessed it -- Crumpot. He ends up in a goofy adventure of his own when forced to babysit a boy who's also named Walter, but is not exactly what he appears to be. While not the best in the anthology, it is still an entertaining read with more of a focus on humor than the other stories.
Janni Lee Simner's story, "Stone Tower," is by far the best in the anthology. It has a fluid, fairy tale-like quality to it that keeps you engrossed in finding out who's the voice in Tara's head, as well as unraveling the mystery of what had happened before that voice muddled her mind and made her a prisoner.
"The Prank" by Gregory Maguire is told in the snarky first-person narrative of Melanie, a girl sent to her aunt's after committing what's considered a hate crime, even though she just views it as a prank. It soon becomes apparent, though that her aunt has her own secrets to hide. While the voice and suspense made this a page-turner, Melanie was a difficult character to like, and the twist needed more explanation.
Celia Rees's "Writing on the Wall" is a typical haunted house tale. However, it's easy to follow despite the mutliple points of view, and the relaxed way the story introduces the more supernatural elements makes it a suspenseful enough read to keep you intrigued until the very end.
"Endings" by Garth Nix is the perfect concluding story for this anthology. It's the shortest of the bunch, told from the perspective of a vampire, but effective in conveying its message in an almost poetic way.
Overall, while Gothic! has its share of tales worth skimming or skipping, there are still many in the anthology that are a joy to read, so fans of supernatural short stories should still check it out, although be wary of purchasing a copy for themselves firsthand before they do. Gothic I thought this book of ten short stories was entertaining and creepy. The writing wasn't amazing, but it was suspenseful, and at times I was glued to the book. The writing also made it creepy towards the beginning of the story and then got a bit less suspenseful and creepy towards the middle, but at the end they always had a really scary twist. For the most part though, the authors kept up the tension and suspense very well. My favorite story was about a girl named Ashley who worked on a haunted farm, which had previously been owned by a serial murderer. The murderer had been killed by the police on his front porch after he had been discovered. On a stormy night Ashley is working in the barn, which is the last remaining structure of the original property that was owned by the murderer. When the power goes out and her walkie-talkie breaks she starts to get scared but its not until she sees a figure in the doorway she panics. When she takes a closer look its actually a teenaged boy not much older than herself. To find out what happens to her you should read the story. This book reminded me of another book I read called supernatural stories, which is also about creepy ghost stories. The suspenseful writing is very similar and in content they are also both alike. The characters are also a bit similar in the sense that they act pretty impulsively and are driven to do pretty stupid things because of their curiosity. It is also related to my life a bit because I also do things out of curiosity that aren't the smartest things to do. Overall I really enjoyed this book because it was so suspenseful and you never knew what would happen next. Although the writing wasn't great I still think it is really good and would definitely recommend it. Awesome Tales, Cute Tales, and Downright Boring Tales There were a few actual good tales in this book and there were some that just made me bored out of my mind!
Lungewater: This tale amazed me!
Morgan Roehmar's Boys: A very good horror tale, scared the wits out of me!
Watch and Wake: The beginning of this tale was boring, however towards the middle and ending of the story, it turned out great.
Forbidden Brides of the Faceless Slaves in the Nameless House of the Night of Dread Desire: I admit, I love the title of the tale, but the tale itself was boring and I couldn't understand what was happening during it. The only thing I could comprehend was an author trying to write a story.
The Dead and The Moonstruck: Personally to me, it sounded like a dysfunctional Harry Potter story, which means it wasn't good at all.
Have No Fear, Crumpot is Here!: I loved this tale! This tale was absolutely adorable.
Stone Tower: This tale is my favorite one of them all.
The Prank: This tale was ok.
Writing on the Wall: I thought this tale was going to be another good horror one like the second tale, but it wasn't great at all, it seemed so typical to me.
Endings: This very short tale was actually really good. Tangles you in its wicked vines... "Lungewater" is a classic gothic tale that evokes ghosts of the past to establish a terrifying atmosphere in the present.
The ambiance created in "Morgan Roehmar's Boys" is so well described that it pulls you right inside the barn (even if you've never been inside one in real life). A story that misleads you while sending shivers up your spine.
My favorite story is "Watch and Wake", for from the moment that Jim arrives in town a feeling that something is not right invades your every fiber; a feeling that doesn't abandon you even after the dreadful twist in the end.
Despite its extremely long title "Forbidden Brides of the Faceless Slaves in the Nameless House of the Night of Dread Desire" is excellent! In an exceptionally ironic manner it explains why anyone would read or write stories like the ones in this book...
"The Dead and the Moonstruck" is a marvel! With its dream sequences and mysterious, yet fascinating world, it does what a good story should: leaves you wanting for more.
The title alone is enough to crack you up: "Have no Fear, Crumpot is Here!" is a bizarre story that deals with bratty vampires, a peculiar hero and responsibility; it combines horror and humor in an extraordinary way.
"Stone Tower" wraps you instantly in the lines of its astonishing plot. The more you read the more questions and doubts will arise.
A bold story that, as you begin to read, you really don't know what to expect. "The Prank" is bizarre; however, it holds a sense of irony, wit and emotion.
While reading "Writing on the Wall" I couldn't help to think "Amytiville Horror" and even though it is about a haunted house, it is nothing alike. This story brings up horrifying images and a fantasmagorific sense of insecurity.
"Endings" is rather poetic and very short story that leaves you with a sense of honor and closure.
If you enjoy shivers, creepy plots, horror in general and have an open imagination, this book is for you.
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